A LITERARY PUZZLE
by William Getzoff
Delivered to a Joint Meeting of
The Cliff Dwellers
The Chicago Literary Club
April 14, 2003
Last year at the first of our joint meetings you may recall that Wil Hasbrouck gave an
excellent talk about the contributions to the Cliff Dwellers made by architects. This year, I
would like to focus on a literary puzzle. Our Club was named after the novel The Cliff
Dwellers by Henry Blake Fuller. Fuller however refused to join the Club and does not
appear to have used it after it was established. Why did he refuse to join and what does this
action tell us about the Club?
First, let me clear up a misconception. For those of you who have read Henry
Regnery's history of the Club, he quotes Charles Collins of the Tribune as claiming that the
Club was not named after Fuller's novel but instead was "intended to point a finger to the
Cliff Dweller Indians of the Southwest."
This is not correct. Hamlin Garland, who was the driving force behind the
establishment of the Club, recounts a conversation he had with Fuller in one of his memoirs,
Companions on the Trail. Garland told Fuller: "It isn't a matter of ten years or your
lifetime, Fuller, We are building something in this Club which will be alive and jocund when
you and I are gone, and I want its name to be characteristic of Chicago and a reminder of you
and your first fictional study of Chicago life." "Nobody will want to be reminded of me."
Fuller responded. Garland dismissed Fuller's comment and proceeded to name the Club after
Fuller's novel. As we shall see, Garland's appeal to Fuller's ambition shows that Garland
never really understood Fuller but Fuller had taken the full measure of Garland.
Collins, however, was not altogether wrong in his emphasis on the effect of the
Southwest Indian culture on the Club. The culture of the Native American Cliff Dwellers
was of widespread interest in Chicago of the 1890s and had captured the imagination of many
Chicagoians. Artifacts from the Southwest Indians were displayed at an exhibit at the Art
Institute in 1891 as well as an exhibit at the World's Fair of 1893. Both Fuller and members
of the Cliff Dwellers shared a common interest in the Cliff Dweller culture. The opening
chapter of Fuller's novel, The Cliff Dwellers, is filled with Native American
associations. Fuller makes a series of comparisons with the grim cityscape of urban Chicago
and the natural beauty and majesty of the Cliff Dwellings of the Southwest. It is clear that
the title of Fuller's novel refers to the Native Americans of the Southwest.
The influence of the Southwest Indian culture was also deeply felt at the Club.
"Kiva" is an Anasazi term for "male ceremonial chamber." You pass by the John Norton
mural of the Cliff Dwellers as you enter the Kiva. The Jarvie silver bowl, which currently is
at the Art Institute, is based on a Navajo design. Ralph Fletcher Seymour, who is famous for
having been Wil Hasbrouck's sponsor, designed the Indian motifs that appear on napkins and
used to appear on the match books and china. Indian themes also played a part in some of
the ceremonies used at the Club. Reading descriptions of these ceremonies now sound like
the inspiration for an episode from the Honeymooner when Ralph Kramden and Ed Norton
attend meetings of the Loyal Order of the Racoons. The point is Fuller's title reflected the
same interest at the time in the culture of the Southwest Indians that is also seen at the Club.
So why did Fuller dismiss the honor Garland bestowed upon him and refuse to join
the Club or even use the Club after it was established? Chicago at the turn of the century
was well on its way to becoming the City on the Make. The basis for this observation comes
from Carter Harrison's autobiography, Stormy Years. You pass Harrison's portrait as
you walk down the hallway. Harrison was president of the Cliff Dwellers and gave the Club
the buffalo head which glowers down at you as you wait for the elevator. Both Harrison and
his father were mayors of Chicago. Harrison served five terms. He was no machine hack.
Educated in Europe and at Yale Law school, he was an early patron of Wagner. He describes
the political scene as follows: "A rare conglomeration of city fathers ruled Chicago in the
nineties, a great growing, energetic community, whose citizens for years from lack of
interest, from supineness, from absolute stupidity, had permitted the control of public affairs
to be the exclusive appanage of a low-browed, dull witted, base -minded gang of plug-uglies,
with no outstanding characteristic beyond an unquenchable lust for money."
It is the lust for money that was one of the theme's of Fuller's novel, The Cliff
Dwellers. Fuller depicted the social status of the residents of the Clifton, the sky scraper
which is the setting for the novel, as dependent solely on their income, making their status
always precarious. Of course, Carter Harrison was not exempt from a lust for money. One
of his detractors, Thorstein Veblen, from the newly established University of Chicago, created
his theory of conspicuous consumption in his classic study, Theory of the Leisure
Class, by a close examination of the vulgar rich in which category he lumped Carter
Harrison. It does not appear that Thorstein Veblen was asked to join the Club nor does it
appear that he expressed any interest in the Club.
Fuller found the chase for fame and fortune to be corrupting. He targeted anyone who
he thought was on the make. In a short story by Fuller called "The Downfall of Abner
Joyce," he describes a character based on Hamlin Garland. The character develops a
reputation for writing realistic and indignant stories of the rigors of life in the upper Midwest
and strongly criticizes the monied elite for subjugating the rural poor. But then a funny thing
happens. Abner Joyce comes to Chicago and is taken up by the same monied elite he
condemned. He quickly abandons his earlier criticisms and becomes very pleased at
becoming a fashionable figure and entering the world of the monied elite.
Fuller expresses his discomfort with people on the make in another Chicago novel,
With the Procession. An architect, Bingham, gives the following advice.
"Make your impression while you may. This is the time this very year. The man
who makes his mark here today will enjoy a fame which will spread as the fame of the city
spreads and its power and prosperity increases. You know what we are destined to be a
hundred times greater than we are today. Fasten your name on the town, and your name will
grow as the town itself does."
This speech is strikingly similar to the one Garland recalls giving Fuller on naming the
Club after Fuller's novel. Both Fuller and the hero of With the Procession reject the
temptation to sell out their values for fame and fortune. It is unfair to characterize the
personalities of the early members of the Club as motivated primarily by ambition and
money. After all, they did accomplish much. Nevertheless, Fuller's novels give some insight
into what the early days at the Cliff Dwellers may have been like and why he refused to join.